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C h e r y l L o s e y
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Location: |
Cleveland, OH
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Position: |
Graduate
Student
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School: |
Cleveland Institute of Music
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Hobbies: |
Being outside (especially out on the water), traveling,
reading, and being with friends
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Hometown:
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Harpswell, ME
(it is a complete coincidence that I was raised in this town!)
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Greatest opportunity through music:
How I can express and share every thought and emotion of
life without ever having to say a word.
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The
best thing about the harp is:
I love the look, sound, and feel of the instrument! I
also love how there are so many different sounds, colors, and voices
that the harp can produce.
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How I got
started in music:
Pretty much my parents made me! I actually
had very little interest in the harp, but given that I was five years
old when I started, I didn't really have a choice! I am so thankful my
parents kept bringing me to lessons and making me practice though,
because by the time I was about 12, I was totally hooked!
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H a r p
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The harp is not
like any other member of the string family. It has about 45 strings
stretched across its tall triangular frame. The strings are plucked by hand
while seven pedals at the bottom of the harp adjust the length of the
strings to produce additional notes.
The modern harp used in the orchestra today has
over 90 strings and uses a complex pedal-activated system for chromatic
alteration of the strings.
Normally triangular in
outline, all harps have three basic structural components: resonator, neck
and strings. The earliest known use of the word harpa was in about
600 A.D.. In the ancient world, solo harpists and harpists in large
ensembles were usually men while harpists who played in small chamber
ensembles were often women. In the Western world until the late 19th
century, professional harpists were usually men, while women played the harp
as a domestic instrument probably from the 17th century. Today, men and
women play harps throughout the world; but throughout Africa, in India,
Georgia and Siberia women are rarely professional harpists and, in a few
cases, are not even allowed to touch the instrument.
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