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A l e j a n d r o V i e i r a
| Location: |
Colorado Springs, CO
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| Position: |
Colorado
Springs Philharmonic
2nd Bassoon
and Contrabassoon
United States Air Force
Academy Band
Principal Bassoon
and Academy Winds
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| School: |
B.M. Peabody Institute of the Johns Hopkins University
M.M. University of Cincinnati College-Conservatory of Music
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Hobbies:
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Cycling (Road,
mountain, and track)
Antique
Volkswagens ('76 Westy, '69 Single Cab, '64 Bug, '63 Microbus)
Riding
motorcycles ('78 BMW)
Banjo (Scruggs
style)
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Hometown:
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Gainesville,
FL
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Website:
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Look me up on
Facebook!
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Greatest opportunity through music:
I'm incredibly fortunate to be able to play music for a
living. The greatest opportunity I have through music is seeing the
emotional impact that live music has on an audience. When a performer
knows how to convey the message and emotion behind the music, there is
no clearer method of communication than music.
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The
best thing about the bassoon is:
Generally bassoons are in high demand. Not many people
want to take the effort to master this unique instrument, so if you
practice diligently you can open up lots of opportunities, such as
traveling, college scholarships, etc.
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How I got
started in music:
My father was a self-taught clarinetist, so music was
always around me from my earliest years. I started playing clarinet
(E-flat clarinet, because my fingers were too small for B-flat!) when I
was eight, but I had no group to play with until I was about 13. Then I
saw how many clarinet players there were, and I decided that I wanted to
have my own part and bassoon looked and sounded really different. For
some reason, bassoon really lit a spark in me, and with the
encouragement of many teachers along the way I was able to make a career
out of music!
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B a s s o o n & C o n t r a b a s s o o n
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The bassoon is
a large double reed instrument with a lower sound than the other woodwind
instruments. Its double reed is attached to a small curved tube called a
bocal which fits into the bassoon. When the player blows air between the
reeds, the vibrating column of air inside the instrument travels over nine
feet to the bottom of the instrument, then up to the top where the sound
comes out.
The early history of the
bassoon is obscure. Its main predecessor is the dulcian, also known as the
curtall. The bassoon of the 1520s was the first to incorporate the
double-back design used today, which gave it the term “fagot,” meaning
“bundle of sticks.” The bassoon in joints appeared in 17th-century France,
and gradually, over the centuries, more keys were added. In its early role
it doubled the bass line in small ensembles. It began in the 17th century to
assume a more independent role — Vivaldi wrote 39 concertos for the
instrument.

Formerly in a family of up to five
different sizes, it currently has two: the bassoon and the double bassoon or
contrabassoon, sounding an octave lower. Because of its wide compass
and its range of characteristic tone-colors, it is one of the most versatile
and useful members of the orchestra.
The reed is crucial to sound
production. It is made of carved cane bound face-to-face to a S-shaped metal
tube (“bocal”), and must have a very specific suppleness to vibrate
properly. A bassoonist will typically spend hours each day making and
refining his or her hand-made reeds.
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